

I must admit, I felt sad passing the Blue Note. Only five days before I was inside its doors, joyful, hopeful and filled with anticipation.


Dinner outside at an old favortie, Cafe Figaro.
Not a quarter, not a whole... just somewhere in between.
I wish I had taken photos of all the places I'd ever lived. Every room, every closet, every garden. 


I always worried that I didn’t do it right with Annie, that I was too much of a child myself to be able to lend a hand in the raising of a well-adjusted young woman. I thought she would suffer, or at least be overwhelmed by my emotional intensity, but now I think she may turn out just fine. Better than fine.
It's slightly unsatisfying to post just the lyrics of a loved song, because a song is not the same as a poem; it doesn't exist alone in its words. It calls for music and sometimes a voice, and without these elements it's just impossible to convey. Nonetheless, here is a sad and sweet song that I listen to when I'm in a sad and sweet place.
...If I look
When I was a teenager I worked a couple of summers at the Greek Theatre in Los Angeles. I have countless stories of my days there, from getting kissed by Freddie Mercury to helping Alice Cooper look for his missing snake backstage. I'll also never forget the night Tom Jones played. Women in the audience were screaming and tossing their underwear on stage, and my friends and I were repelled and perplexed. These were "Older" women after all, shouldn’t they be acting more like MOTHERS? In any case, at intermission my friend Justine and I were downstairs in the dressing area quietly making fun of Mr. Jones. Suddenly he passed us, his hairy chest reveled and covered in sweat. He smiled and said, "Hi girls!" We replied flirtatiously, "Hi Tom!" and then when he left we giggled and rolled our eyes and continued to put the poor man down. 
Last night was probably one of the most satisfying experiences in music I've ever had, and at least at the moment, I won't attempt to describe it in detail. The McCoy Tyner Septet played at The Blue Note in Greenwich Village to a sold out and very appreciative crowd. Classics from the Impulse Records’ catalog were performed—from Oliver Nelson’s “Stolen Moments,” & Charles Mingus’ “The Dancer,” to John Coltrane’s “Africa,” and “Resolution.” 

Above, Wallace Roney. I thought it was beautiful how the musicians would just stand back and listen while a solo was being performed.
Donald Harrison, sax, Wallace Roney, trumpet, Dave Liebman, sax, Steve Turre, trombone; Eric Kamau Gravatt, drums; and Charnett Moffett on bass.
Christian Scott.
